I am tentatively prepared to declare Jeffrey Overstreet, author of Auralia's Colors and its sequels, the best Christian fantasist working today (Walter Wangerin is doing other things). Possibly even better than me (!).
What are the things that irritate me about contemporary fantasy generally, and Christian fantasy in particular?
First of all, contemporary fantasists tend to use words badly. They strive for the same effects as Tolkien or Lewis, but lack the rich erudition of those scholars. Their prose is stilted and artificial, their word choices poor.
Overstreet does not suffer from this problem. He uses words deftly, as Rembrandt used brushes and paint. Every description is vivid, every image apt. It's a delight to read his prose. I was reminded of Tolkien's use of Old English names to evoke unconscious meanings in the reader. Overstreet doesn't use that technique, but the whimsical names he gives to humans and beasts had a similar effect on me.
Contemporary fantasists tend to be derivative. When you read their work, you can easily detect a) which favorite writers they are trying to ape, and b) their political and social beliefs and prejudices.
Overstreet's work is as original as a new baby. He goes his own way, telling his own story. The only thing Auralia's Colors reminded me of was—in a general way—Mervyn Peake's Gormenghast books, but the resemblance is superficial. Where Peake portrayed a grotesque world, barely concealing the disease under its skin, Overstreet creates a world full of wonder and beauty, its potential buried under the weight of destructive ideas.
I won't give a synopsis of the plot, except to say that it involves a country stripped of all color by law, where a miraculous young girl named Auralia, working in the wilderness, gathers and weaves together wonderful hues that remind the people of a better life and give them hope. It would have been easy to make the characters in this story black and white, but Overstreet's creations have the stamp of real life on them—in their various ways they all think they are doing good, and they often commit their greatest sins in full assurance of righteousness.
Some readers will be tempted to allegorize Auralia's Colors. This would be a mistake, I think. It needs to be allowed to speak on its own terms, to work secretly in our dreams.
Auralia's Colors is a book to savor; a book to break your heart. Not for young children (a little too intense), but highly recommended for anyone older.
Lars Walker is the author of several fantasy novels, the latest of which is West Oversea. The trailer for West Oversea can be viewed here.
I just ordered _The Ale Boy's Feast_; I'm looking forward to reading it. I've read something else by Overstreet - I can't recall the title just now -- and thoroughly enjoyed it. We need more such writers!
Posted by: Beth in TN | July 12, 2011 at 10:25 AM
Lars,
Many thanks for your generous words. I am honored that you'd sense a connection with Mervyn Peake, one of my favorite writers.
And I am glad you read the first book in the series first; those who start with The Ale Boy's Feast are in for a lot of confusion, as it's the last conclusion of a four-book series.
I am encouraged. Thanks for sharing your thoughts.
Posted by: Jeffrey | July 14, 2011 at 04:33 PM
Mr. Overstreet, you seriously underestimate your power as a writer. I had ordered _The Ale Boy's Feast_ without knowing it was part of a series, simply on the recommendation of your name by a friend. I started it last night and finished it just now -- riveting and brilliant. Of course, there are gaps in my knowledge, but the book stands alone as a compelling narrative, with plenty enough backstory "stitched in," if you will, that I felt very little confusion -- only curiosity to know more detail. You may be assured that the previous books of the series are on the list for my next book order!
Posted by: Beth from TN | July 16, 2011 at 04:34 PM